Nomadic Collective Research / Investigación Colectiva Nómade / Tierra del Fuego

  • About / Acerca de
    • Intro
    • Ensayo #6
    • Ensayo #5
    • Ensayo #4
    • Ensayo #3
    • Ensayo #2
    • Ensayo #1
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    • Land Acknowledgment
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    • Listening Series
    • Screenings
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    • Lectures / Ponencias
    • Teaching / Docencia
  • Field Notes / Notas
  • Periodical / Periódico

Event

Society as a Whole @ Kunsternes Hus, Oslo

2021-05-31
Event/Programs

Contributed by Randi Nygård Magnus Holmen, Signe Liden, Kjersti Vetterstad, Aslaug Nygård, Yngvild Færøy, Søssa Jørgensen, Geir Tore Holm and Randi Nygård.

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Fortunes of the Forest: Divination, Dance & Story

2020-09-24
Event/Field Notes/Performance/Programs
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A woman sits with her back to the camera at a desk with a computer editing station in a room with floor to ceiling windows, beyond which lies a green forest and the water horizon of Waratah Bay in Gippsland, Australia.

New Museum Streaming Conversation: Ecofiction at the End of the World

2020-06-23
Event/Programs

Tuesday, June 23 at 2 PM EST. RSVP required. Register here for this program. This conversation takes the second season of the Ensayos web series “DISTANCIA” as

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busy port seen from a rooftop

Save the Date: Society as a Whole @ Kunsternes Hus, Oslo

2020-06-12
Event/Programs

ENSAYOS and The Wild Living Marine Resources Belong to Society as a Whole present SOCIETY AS A WHOLE: Friday & Saturday, September

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Belong to @ Kunsternes Hus, Oslo

2020-04-12
Event/Programs

ENSAYOS and The Wild Living Marine Resources Belong to Society as a Whole present RESOURCES: Short talks by Søssa Jørgensen, Janike Kampevold

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POR EL AGUA: CAMBIO DE PRÁCTICAS Y COSTUMBRES. A TODA RAJA

2020-01-07
Event/Programs

Cuatro invitadas se unirán en el Museo de la Solidaridad Salvador Allende en una conversación donde conectarán sus experiencias y posiciones en

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Belong to @ Kunsternes Hus, Oslo

2019-12-13
Event/Programs

ENSAYOS and The Wild Living Marine Resources Belong to Society as a Whole present BELONG TO: Friday 13.12.2019 at 7 pm, Kunstnernes

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Resources @ Kunsternes Hus, Oslo

2019-12-10
Event/Programs

ENSAYOS and The Wild Living Marine Resources Belong to Society as a Whole present MARINE: Wednesday 4.12. 2019 at 7 pm, Kunstnernes

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Slow Down Fast, A Toda Raja Book Launch at Printed Matter

2019-10-25
Event/Programs

Slow Down Fast, A Toda Raja — A conversation with Camila Marambio and Cecilia Vicuña November 15, 2019 6-8 PM Printed Matter

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Marine @ Kunsternes Hus, Oslo

2019-10-10
Event/Programs

ENSAYOS and The Wild Living Marine Resources Belong to Society as a Whole present MARINE: 06.10.2019 at 6 pm, Kunstnernes Hus Kino,

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The Wild Living @ Kunsternes Hus, Oslo

2019-08-27
Event/Programs

The Wild Living Marine Resources Belong to Society as a Whole is a series of interdisciplinary events at Kunstnernes Hus, organized by

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Discipline No. 5/ Más allá del fin No. 3 Publication Launch

2019-08-16
Event/Programs

Discipline is pleased to announce a programme of events in Melbourne to accompany the launch of its fifth volume, a joint issue

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Selk’nam Kwash: Hablemos de cosmosvisión

2019-08-09
Event/Programs

  Presentación audiovisual y conversatorio. Actividad pro-fondos Proyecto Karukinka: viaje a Tierra del Fuego de la comunidad indígena Selk’nam Covadonga Ona. Viernes

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Boklansering/Book Launch at Kunsternes Hus in Oslo

2018-01-17
Event/Programs

Sunday January 21 2018 from 3-5 pm at Kunstnernes Hus, Wergelandsveien 17, 0167 Oslo, Norway, The anthology “The Wild Living Marine Resources Belong to

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Running Conversations Hosted by Liquid Architecture

2017-09-18
Event/Programs

Running Conversations with Camila Marambio and Astrida Neimanis Late at the Lab: Thursday 5 October Join Underbelly Arts and Liquid Architecture for

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Book Launch: The Wild Living Marine Resources Belong to Society as a Whole

2017-09-08
Event/Programs

The title for this book, edited by Randi Nygård & Karolin Tampere, as part of Ensayo #4, is taken from Section 2

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“Wild Living Marine Resources Belong to Society as a Whole” included as part of Lofoten International Art Festival:

2017-09-01
Event/Programs

What can laws and management tell us about the relationships we have to nature and to our surroundings? Taking Section 2 of

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Taxonomy

ariel bustamante art australia beavers bárbara saavedra caitlin franzmann caleta maría camila marambio carla macchiavello carolina saquel cecilia vicuña christy gast coastal curriculum dear enemy denise milstein distancia ensayo #1 ensayo #2 ensayo #3 ensayo #4 ensayo #6 geir tore holm hema'ny molina interview ivette martinez julio gastón contreras kadist art foundation karolin tampere karukinka laura ogden melbourne new museum norway performance presentation randi nygård residencies sarita gálvez scent science søssa jørgensen tierra del fuego video wcs webseries

Ensayos honors the traditional custodians of the lands and waters where we roam and learn.

ensayostierradelfuego
For @turbatol, the Australian pod created a gift o For @turbatol, the Australian pod created a gift of incense that is medicine for feeling the peatlands of Minjerribah. Leaves, bark and essential oil from swamp paperbark (Melaleuca quinquenervia), grasstree resin, jelly bush honey (from Leptospermum species), charcoal and water drawn from the Island’s aquifer.  Similar to much of the Australian landscape, fire has been a part of fen development on the sand islands for millennia. Many of the plants and animals have evolved to not only survive fire but depend on it for their persistence. This incense also carries deep respect for jarlo (fire) and the revival of Quandamooka fire management practices on the island - practices of slow, cool burnings and custodians walking with the flames.  Ceramic incense burner: @jasper_coleman @caitlinfranzmann // Para @turbatol, la vaina australiana creó un regalo de incienso que es medicina para sentir las turberas de Minjerribah. Hojas, corteza y aceite esencial de corteza de papel de pantano (Melaleuca quinquenervia), resina de pasto, miel de jalea (de la especie Leptospermum), carbón vegetal y agua extraída del acuífero de la Isla. Al igual que mucho del paisaje australiano, el fuego ha sido parte del desarrollo de pantanos en las islas de arena durante milenios. Muchas de las plantas y animales han evolucionado no solo para sobrevivir al fuego sino también para depender de él para su persistencia. Este incienso también conlleva un profundo respeto por el jarlo (fuego) y el renacimiento de las prácticas de manejo de incendios de Quandamooka en la isla: prácticas de quemas lentas y frías, y custodios que caminan con las llamas. Quemador de incienso de cerámica: @jasper_coleman @caitlinfranzmann
Standing tall in many of the island’s peatlands Standing tall in many of the island’s peatlands is Ungaire, a reed and cultural weaving fibre with distinct pink and cream hues. The Carmichael women have been working alongside their family, Elders, and community members on the regeneration of Quandamooka weaving practices. In honour of their heritage and the plant communities of the peatlands Quandamooka artist, Sonja Carmichael, adapted traditional weaving techniques over a glass vessel designed by artist Caitlin Franzmann and hand blown by glass artist Jarred Wright. This forms the carrier bag for the Australian pod’s gift of scent to the Chilean Pavilion at Venice Biennale. The Ungaire used was collected from a sand mine site in 2019, the year mining activities on the Island substantially ceased. // De pie en muchas de las turberas de la isla se encuentra Ungaire, una caña y fibra de tejido cultural con distintos tonos rosa y crema. Las mujeres Carmichael han estado trabajando junto con su familia, ancianos y miembros de la comunidad en la regeneración de las prácticas de tejido de Quandamooka. En honor a su herencia y las comunidades de plantas de las turberas, la artista de Quandamooka, Sonja Carmichael, adaptó técnicas de tejido tradicionales sobre un recipiente de vidrio diseñado por la artista Caitlin Franzmann y soplado a mano por el artista de vidrio Jarred Wright. Esto forma la bolsa de transporte para el regalo de aroma de la vaina australiana al Pabellón de Chile en la Bienal de Venecia. El Ungaire utilizado se recolectó de un sitio de mina de arena en 2019, el año en que cesaron sustancialmente las actividades mineras en la isla. @sonniecarmichael @caitlinfranzmann @jarredwright
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Copyright Ensayos 2010-2020

  • About / Acerca de
    • Intro
    • Ensayo #6
    • Ensayo #5
    • Ensayo #4
    • Ensayo #3
    • Ensayo #2
    • Ensayo #1
    • Ensayistas
    • Land Acknowledgment
    • Contact / Contacto
  • Programs / Programas
    • Residencies / Residencias
    • Exhibitions / Exposiciones
    • Listening Series
    • Screenings
    • Performances / Performances
    • Events / Eventos
    • Lectures / Ponencias
    • Teaching / Docencia
  • Field Notes / Notas
  • Periodical / Periódico
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